One standout element of the film is its commitment to cinematography. The film relies heavily on scene composition to convey the tension within the script, employing its lenses with precision. “Dress Code” often opts to show rather than tell, a testament to its visual storytelling prowess. Scene framing and shot blocking are consistently excellent, forging an intimate connection with the audience.

However, the film’s acting may pose a slight distraction for some viewers, as some of the cast members appear relatively inexperienced. At times, the scenes may feel a bit too stiff and overly emotive. Nevertheless, this does not diminish the overall enjoyment of the film; it’s a minor drawback worth overlooking for the film’s other strengths.

Despite these minor issues, “Dress Code” has several commendable performances. Frank Osso’s portrayal of “Uncle” Rocco stands out as a solid and steady performance, providing a strong foundation for the rest of the cast. Alex Di Trolio delivers an expressive and passionate performance as Bobby’s mother, Joyce. The most notable performance comes from Gerard Garilli, who shines as Bobby. He tackles a multifaceted role with dedication, earning him the Best Actor award at the Oniros Film Awards. Additionally, Garilli’s role as an executive producer underscores the belief and dedication of the cast and crew to this project.